Pedal Type: Multi-Mode Digital Delay with Analog, Reverse, and Digital Voicings
Controls: Mix, Repeats, EQ, and Time Knobs; Mod Rate and Mod Depth Knobs; 3-Way Mode Toggle Switch, 3-Way Modulation Style Toggle Switch, 3-Way Subdivision Toggle Switch
Bypass Layout: Switchable Trails Bypass Mode (Naturally decays when disengaged)
Power Requirements: 9VDC Negative Center Only (Battery power not supported)
Current Draw: 85 mA
Dimensions: 4.7” × 3.7” × 1.5” (119.4 mm x 94.0 mm x 38.1 mm)
The JHS Flight Delay serves as a comprehensive, multi-mode time-processing utility engineered to house essential delay categories within a single compact chassis. Stepping completely away from endless software menu diving and complicated options screens, the purely manual layout offers three historically inspired algorithms. The Analog mode provides a filtered bucket-brigade emulation that mimics the warm, pillowy high-frequency degradation of vintage echo pedals like the EHX Deluxe Memory Man. The Digital mode delivers the sharp, percussive precision reminiscent of late-1990s DSP hardware such as the Boss DD-5. The Reverse mode plays your instrumentation backward in real time, capturing the swirling textures popularized by the Line 6 DL4.
Fine-tuning your ambient footprint is instantly managed using an interactive three-toggle configuration that adapts seamlessly to complex performance parameters. A dedicated, right-side Tap Tempo footswitch pairs directly with a three-pole Subdivision switch, enabling immediate translation across quarter note, eighth note, and dotted-eighth note patterns. The signal path includes a meticulously engineered modulation matrix that impacts only the repeating echoes, keeping your core dry tone fully punchy. A three-way selector alternates between a smooth Chorus sweep and a pitch-warping Vibrato lilt, while independent Mod Rate and Mod Depth knobs allow players to shape everything from subtle tape flutter to dramatic lo-fi warbles.
Selecting the Digital delay algorithm with the subdivision switch set to a dotted-eighth note parameter creates an ideal framework for post-punk, modern rock, or ambient worship tracking. The pristine digital repeats retain absolute high-frequency bite and transient snap through multiple feedback cycles, layering crisp echoes seamlessly beneath your raw pick attack to build complex rhythmic textures that slice cleanly through dense full-band live audio mixes.
Switching the hardware engine to Reverse mode while setting a high Repeat value and long Time parameters transforms your instrument into an otherworldly ambient pad generator. Sweeping the onboard tilt EQ knob counterclockwise rolls back top-end harshness, allowing the reversed reflections to soften and float backward into a lush, dark, and dream-like landscape that acts as an excellent background floor for melodic lead solos or spatial chord movements.
THIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 85mA, AND MEASURES 4.7" X 3.7" X 1.5". DO NOT USE MORE THAN 9V DC, OR YOU WILL VOID YOUR WARRANTY.
Pedal Type: Multi-Mode Digital Delay with Analog, Reverse, and Digital Voicings
Controls: Mix, Repeats, EQ, and Time Knobs; Mod Rate and Mod Depth Knobs; 3-Way Mode Toggle Switch, 3-Way Modulation Style Toggle Switch, 3-Way Subdivision Toggle Switch
Bypass Layout: Switchable Trails Bypass Mode (Naturally decays when disengaged)
Power Requirements: 9VDC Negative Center Only (Battery power not supported)
Current Draw: 85 mA
Dimensions: 4.7” × 3.7” × 1.5” (119.4 mm x 94.0 mm x 38.1 mm)
The JHS Flight Delay serves as a comprehensive, multi-mode time-processing utility engineered to house essential delay categories within a single compact chassis. Stepping completely away from endless software menu diving and complicated options screens, the purely manual layout offers three historically inspired algorithms. The Analog mode provides a filtered bucket-brigade emulation that mimics the warm, pillowy high-frequency degradation of vintage echo pedals like the EHX Deluxe Memory Man. The Digital mode delivers the sharp, percussive precision reminiscent of late-1990s DSP hardware such as the Boss DD-5. The Reverse mode plays your instrumentation backward in real time, capturing the swirling textures popularized by the Line 6 DL4.
Fine-tuning your ambient footprint is instantly managed using an interactive three-toggle configuration that adapts seamlessly to complex performance parameters. A dedicated, right-side Tap Tempo footswitch pairs directly with a three-pole Subdivision switch, enabling immediate translation across quarter note, eighth note, and dotted-eighth note patterns. The signal path includes a meticulously engineered modulation matrix that impacts only the repeating echoes, keeping your core dry tone fully punchy. A three-way selector alternates between a smooth Chorus sweep and a pitch-warping Vibrato lilt, while independent Mod Rate and Mod Depth knobs allow players to shape everything from subtle tape flutter to dramatic lo-fi warbles.
Selecting the Digital delay algorithm with the subdivision switch set to a dotted-eighth note parameter creates an ideal framework for post-punk, modern rock, or ambient worship tracking. The pristine digital repeats retain absolute high-frequency bite and transient snap through multiple feedback cycles, layering crisp echoes seamlessly beneath your raw pick attack to build complex rhythmic textures that slice cleanly through dense full-band live audio mixes.
Switching the hardware engine to Reverse mode while setting a high Repeat value and long Time parameters transforms your instrument into an otherworldly ambient pad generator. Sweeping the onboard tilt EQ knob counterclockwise rolls back top-end harshness, allowing the reversed reflections to soften and float backward into a lush, dark, and dream-like landscape that acts as an excellent background floor for melodic lead solos or spatial chord movements.
THIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 85mA, AND MEASURES 4.7" X 3.7" X 1.5". DO NOT USE MORE THAN 9V DC, OR YOU WILL VOID YOUR WARRANTY.
